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MUMBAI: The collector's office in Mumbai, in the last five years, has received around 150 requests for Indian citizenship. However, not a single foreigner working in Bollywood has so far applied for citizenship, though some of them are living in India for more than seven years.

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The immigration department is busy scrutinizing the visa categories of dozens of foreigners who entered India on a tourist visa and began working in the film industry. "When one can get an employment visa and work on the basis of it, then what is the need of working on a visitor's visa?" asked an immigration official. The department is now classifying the visa details of foreigners who entered the country on a specific visa but are flouting the rules.

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Among those who have been staying in India and working on an employment visa are Katrina Kaif (UK citizen), Deepti Naval ( US citizen), Salma Agha (UK citizen) and Yana Gupta (Czech citizen).

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Working in Bollywood for years, but still on visa - Times of India

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Maldives offers Bollywood one of its islands for filmmaking IBNLive.com Bollywood industry could be promoted in Maldives in the same manner as has happened in Seychelles and Mauritius, Maldivian Tourism Minister Toyyid Mohammad ... Recession hits Bollywood stars' payHindu Business Line all 4 news articles »

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Maldives offers Bollywood one of its islands for filmmaking - IBNLive.com

A day after Bollywood superstar Shah Rukh Khan backed the demand of prime slots for Marathi movies in multiplexes, actor Aamir Khan too has come out supporting regional cinema.

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3 Idiots in Mumbai today. "Our languages are the most beautiful part of our culture, he said expressing his readiness to venture into production of regional cinema. Language comes secondary," he added.

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Dabbang , Aamir said the promos of the film look very exciting. "Many of my friends are calling me asking me to speak to Salman to arrange for a trial show before the release," he said.

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Aamir Khan game for production of regional cinema - Daily News & Analysis

He gets the hottest stars, with the hottest revelations — all on his couch. But for Karan Johar it’s no big deal. It’s only family time with his big Bollywood parivaar.

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And this one is no ordinary family. Gorgeous, incredibly talented, and super powers in their own right — some enviable genes they can boast of. With two super-stars, Kajol and Kareena, and one rock star, Arjun Rampal, the industry’s darlin’ is on a roll. On the couch with them, on an exclusive hot date.

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I don’t get excited standing in front of hunky men! Arjun is a good friend of Saif, when we started shooting I didn’t think I’d be so comfortable with him. There was no interaction with him before this.

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A date with Karan's family! - Times of India

Bollywood actress Kajol is 35 years old, happily married to Ajay Devgn, has a daughter and expecting another baby soon, but she is still hot in Bollywood. Unlike her counterparts, who have either vanished from Bollywood or stopped doing lead roles after marriage, she is still in demand. But surprisingly, she is feeling her age.

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We Are Family , said that she is aware of her age and would not take up roles that require her to enact a 16-year-old girl. The positive aspect is that she is enjoying the kind of roles she has been enacting of late.

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She said that she is an instinctive person and not a planner. She would rather do what she feels is right than try to live up to the expectations of the people. She added that her priorities changed after marriage.

Kajol is feeling her age - Oneindia

It’s not what you may think. The Bollywood Badshah is a dedicated son-in-law. But his visits to R C Chhiba, wife Gauri Khan’s ailing father in Delhi, cause more distress than anything else.

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Gauri herself is by her father’s bedside at the Escorts Heart Institute at New Friends Colony in the capital. Chhiba’s had angioplasty done, two stents were required, and he’s now out of the ICU. But Shah Rukh Khan is reluctant to visit his father-in-law. Says a source, “SRK doesn’t want a repeat of what happened when he visited Chhiba at the Max Healthcare at Saket in Delhi. Everything came to a standstill when people saw him. This disturbed not only the discipline, but also the health of other patients. And Shah Rukh doesn’t wish to disturb anyone.” But that doesn’t mean the actor won’t come to meet Chhiba at all. “He will come to the city when Chhiba is home,” adds the source.

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The Bollywood Badshah is a dedicated son-in-law. But his visits to R C Chhiba, wife Gauri Khan’s ailing father in Delhi, cause more distress than anything else.

SRK won't visit Gauri's father! - Times of India

KOLKATA: Innovative marketing strategies have been raking in the moolah for small Bollywood films at home. However, they had so far, faltered in the international market. With Aamir Khan’s Peepli Live, which opened on August 13 to a good overseas box office weekend collection, seems to have broken new ground.

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In its opening weekend Peepli earned 21 crore in the box office at home. With 109 overseas prints it grossed another $6,40,000 ( 2.88 crore) abroad, more than some bigger recent films like Once Upon a Time in Mumbaai. Peepli received one of the highest openings for a non cast film in overseas markets. In the US, the film released on 64 prints and has did around $3,64,000 in the opening weekend which is higher than most mainstream commercial films with a big cast. In the Middle East the film released during Ramzaan and opened at $1,75,000 on 18 prints. South Africa, Pakistan, Singapore, Benelux and Kenya contributed to about $59,000 in the opening weekend.

Peepli Live creates new Box Office record - Economic Times

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SRK won't visit dad-in-law! Times of India The Bollywood Badshah is a dedicated son-in-law. But his visits to RC Chhiba, wife Gauri Khan's ailing father in Delhi, cause more distress than anything ... Shoot with wife gives Shah Rukh jittersNDTV.com Shah Rukh Not at Ease to Shoot With Wife GauriFV Current Waves Shah Rukh Khan nervous working with GauriDigital Spy Indian Express -Sify -Spicezee all 88 news articles »

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SRK won't visit dad-in-law! - Times of India

Bollywood booked Hindustan Times If you thought Bollywood celebrities only read scripts, here is a surprise. From fiction to philosophy and thrillers to romances, they love reading books ... and more »

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Bollywood booked - Hindustan Times

Often, we don’t see things that are right under our nose — maybe because we don’t want to. Ever since terror spread its first tentacles back in the 1980s — Punjab was all afire, Kashmir had begun burning and the North-East was on the edge — Bollywood has either totally zoomed out of troubled zones or been shifty in its take on the war within.

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As India moves through its sixties, it is a good time to explore how the freest of our creative zones –– our cinematic imagination –– is evolving. There have been recent changes in Hindi films wrought by the phenomenon of ‘terror’ which has impacted stories, settings and characters, re-shaping the very meaning of this cinema. The changes that have been sewn have been remarkable and quiet. ‘Mainstream’ Hindi cinema has traditionally been known for escapist fare. The industry held political beliefs but kept these understated, making films as elastic as a vinyl record, as light as a gossamer dream. Post-Independence, countless Hindi films were located in ‘paradise’ itself. Kashmir was the backdrop for movies set in manicured Mughal gardens, dainty shikaras wobbling on the Dal Lake, girls in colourful firans with long silver earrings waving cheerfully as Shammi Kapoor drove past. Even as the region’s political ambience darkened through the 1960s, Hindi film heroes ignored storm clouds on the horizon, singing their way across Kashmir’s meadows, heroines in tight trousers smiling indulgently astride bored-looking ponies.

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Accepting this reality was not easy for Hindi filmmakers. Kashmir, after all, was the ultimate escape, a place of crystalline freshness where the soul breathed freely, untied from the worries of the metropolis and the exigencies of the town. In Kashmir’s ‘vaadiyan’, the plains-based Indian enjoyed a little laugh, a little love, a liberty or two. However, this Kashmir, presented tenderly in Technicolour as ‘ours’, suddenly vanished from life and film. Its evaporation was a significant disappearing act. “The Kashmir narrative was increasingly marked by nationalism which invokes violence,” comments sociologist Shiv Viswanathan. Perhaps depicting such violence, where once pools of lilies and chinars watched over lovers, was too much for Hindi filmmakers. Tellingly, it was Mani Ratnam from the South who took cinema back to a dark, dangerous Kashmir, not a Hindi filmmaker whose memories were embedded with houseboats and poetry.

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Bollywood bites the bullet - Times of India